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Art Well I thought it was funny!

SUFFERING FOR MY ART: RIDING THE LIGHTNING WRITTEN BY WILL DABBS, MD

Holy scripture can be a reliable source of guidance, hope, and comfort.
On this particularly fateful day it was the backdrop for Something Truly Horrible.

 

Folks occasionally ask what it’s like to be a rich and famous gun writer. Well, for starters, there are no rich gun writers. If somebody has found a way to make any serious money in this gig, I wish they would share it with me. As for fame, suffice to say it’s not the Dallas Cowboys Cheerleaders who breathlessly start their every Friday morning with Guncrank.

We gun writers are a lot like James Bond — just without the cool cars, chiseled physique, and striking good looks. I guess this means we’re actually nothing like James Bond, so never mind. There are, however, what you might call some seriously cool intangibles to the profession.

I’ve yet to meet a reader that didn’t end up a friend. No kidding, you guys are awesome. We all like the same stuff. Gun guys are the sort to whom you’d gladly loan your pickup truck. With a relationship like this it seems the least I can do is to play around with cool new gun stuff, tell you about it, and then inform the IRS it was actually work. At least that’s the way it is supposed to be. Then there was this cell phone case.

What’s Next?

This particular gadget was a prototype stun gun cell phone case. This sleek little rascal wasn’t much bigger than the ubiquitous Otter Box, and it protected the sensitive electronic device comparably well. However, this inspired rig also included a built-in zillion-volt stun gun.

The theory was sublime. What’s the one thing you never leave home without these days? You might forget your shirt, your shoes, your underwear, your spouse, or your offspring, but the typical American is never without their cell phone. Incorporating an effective non-lethal defense system into this ubiquitous omnipresent gadget seemed simply inspired. I had the article written before the case arrived. All that remained was to carry it about for a couple of weeks and then go back to massage the prose accordingly.

An Unfortunate Turn

I live way out in the sticks, so mine’s a half-hour commute. That’s a good thing. I get in the groove in the morning and decompress a bit at night. This way my bride doesn’t smother me in my sleep, and the dog doesn’t get kicked. Everybody wins.

On my drives I frequently listen to Max McLean read the Bible via an app on my phone. Max’s dulcet rendition of the gospels or Psalms will cure what ails you after a long day armpit deep in pestilence and tragedy. I was driving the old Jeep Cherokee my dad gave me when he grew weary of it. The price was certainly right, but that thing was loud. As a result, I had the edge of my phone pressed up against my right ear. As I recall Max was reading Paul’s letter to the Romans. That’s when my head exploded.

It felt like Superman had kung fu’d my brain. My vision went white, and I suddenly couldn’t feel anything below my nose. I knew my nose still worked, because I smelled burnt hair. I guess Jesus was occupied driving the Jeep, because I sure wasn’t doing that any longer.
The vehicle rolled to a gentle stop on the side of the road under Divine Guidance. I could no longer remember my name, gender, or species. The feed from my right ear sounded like Metallica playing live to an ocean of rabid banshees. The whole world was angled about 20 degrees to starboard. I realized later that was because I could no longer straighten my neck.

For a bit I seriously had no idea what happened. I briefly entertained the possibility God had chosen to smite me. Then I remembered Thor’s cell phone case.

So that’s what it feels like to mainline a million volts straight into your brainstem. I turned on the overhead light but couldn’t find my phone anywhere. I discovered it the following day deep underneath the passenger seat. No, I have no idea how it got there.

I retained control of my bowels throughout, something of which I am in retrospect proud. I didn’t wet my pants, either. I did, however, swallow my gum. At least I presume that’s what happened to it.

It took maybe five minutes to regain my wits sufficiently to drive. By the time I got home the world was only five degrees off plum. I thanked Jesus for not letting me die (yet again), repackaged the phone case and sent it back with a passionate remonstration to rethink the safety catch. Such is a typical day in the life of a rich and famous gun writer.

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Allies Stupid Hit War

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Parker Hale Custom Lee Enfield No4… Great Hunting Rifles

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Now that is what I call a Rifle!

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Nice looking wood!

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All About Guns

“This is my Boomstick!” | Semi-Auto 12 gauge (Or how about a good way to spend some time in jail Grumpy)

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Feeding time!

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Remington Rolling Block Uberti reproduction .45-70

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All About Guns Well I thought it was funny!

True enough!

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All About Guns

MIX-N-MATCH SHOOTERS WRITTEN BY MASSAD AYOOB

The amputated slide from one 1911 was grafted on the front of another by Jim Clark, Sr.
to create this long-slide Colt .38 Special wadcutter gun.

 

In Mary Shelley’s timeless novel, Dr. Frankenstein created his eponymous monster from body parts stolen from the grave and reanimated. Shooters have been known to do something similar, though the parts don’t necessarily come from no-longer-functional donors and often work out better for all concerned than Dr. Frankenstein’s creation.

Let me share with you some “Frankenguns” of my acquaintance that worked out just fine.

 

Python barrel on K-Frame Smith. The “Smython” is a classic Frankengun.

Massive Apex barrel, Aristocrat sight rib and Reeves Jungkind action turned this
old Colt Official Police .38 into an awesome PPC match gun.

Revolvers

 

In the early days of “police combat” revolver competition, the 6″ barrel .38 was the max you could use. Colt versus S&W was the handgun world’s version of Ford versus Chevy or Coke versus Pepsi and it was the Colt’s slightly greater accuracy versus the Smith & Wesson’s more “even” one-stage double-action pull. The Colt Python’s barrel tapered a thousandth of an inch toward the muzzle, driving the lead bullet tighter into the rifling grooves, which on the Colt were a 1:14″ twist compared to the Smith’s 1:18.75. The Colt seemed to better stabilize 148- to 158-gr. lead slugs.

Gun-savvy cops were grateful when Bill Davis, late of the California Highway Patrol, pioneered the concept of putting a Python barrel on a K-Frame S&W. The result, known variously as a “Smolt” and a “Smython,” combined the best of both brands. The NRA managed PPC competition soon caught onto this and changed the rules. They required in Distinguished or Service Revolver competition, the gun had to have its barrel made by the same company that manufactured the gun. My own Davis Custom Smython, via my good friend Chuck McDonald, is a treasured part of my collection even though it was soon supplanted by “PPC guns” with monster Douglas and Apex barrels and mounting BoMar or Aristocrat sight ribs.

I came to own some of the latter, Frankenguns in their own right, made by legends like Ron Power and Andy Cannon. My single sweetest, though, may have been a pre-war Colt Official Police tuned to single-stage DA by master Python mechanic Reeves Jungkind. The massive barrel was an inch and a quarter under its Aristocrat rib, but it always put the bullets where I aimed them.

 

 

John Lawson created this early Ayoob Special, a Combat Commander .45 with a 5″
ported Bar-Sto barrel, S&W micrometer sights and Hoag beavertail safety.

Autoloaders

 

WWII hero Jim Clark Sr. became, in the early 1950s, the first and still the only civilian to win the National Pistol Championship in bullseye shooting without the benefit of having been funded by a military team. One of the great master gunsmiths, he was also the man credited with creating both the long-slide 1911 and a 1911 which could feed the blunt, rimmed .38 Special wadcutter revolver cartridge. An inch would be amputated from another 1911 slide to go onto the one of the chosen Colt .38 Super, a 6″ match grade .38 Special barrel would be enshrouded within and Jim would work his magic to make it all work with 100 percent reliability — not to mention a 2.5-lb. trigger pull.

By the time I could afford a Clark Custom long-slide, my bullseye days were long over but there were some PPC matches where it was allowed in Open Semi-Auto class. Mine won me a bunch of local PPC matches and also some falling plate shoots. It’s a most specialized piece of equipment, one of the finest firearms I own and I will always cherish it. Jim has left us, and just as sadly so has his son Jim Jr., but the family legacy of fine bespoke firearms lives on with his daughter Kay Clark-Miculek, his son-in-law Jerry Miculek, and the outstanding crew at Clark Custom.

 

Smith + Colt = Smolt, courtesy of the great gunsmith Bill Davis.

A Special Gun

 

The first “Ayoob Special,” built by the late, great John Lawson in Tacoma, was kind of a Frankengun. I had bonded with my first Colt .45 auto, a 5″ GI surplus model, at age 12 in 1960. By the ’70s, I had discovered the 4.25″ all-steel Combat Commander balanced a little better for me but seemed to have a bit more muzzle jump. I installed a 5″ barrel in one, planning to have the exposed part of the barrel Mag-na-ported, but it turned out the barrel lugs weren’t compatible between the Government Model barrel and Commander slide, and it broke. I sent it to John, who installed a 5″ barrel properly fitted, and it went thence to Larry Kelly at Mag-na-port — sure enough, muzzle jump was less than with the longer, heavier Government. It later got a Bar-Sto barrel, also ported, to enhance accuracy. I have it still, a sweet reminder of what was then state-of-the-art in a carry and competition .45.

Mix and match: I can confirm from personal experience that, at least sometimes, the concept works — and we’ve only touched a tip of the Frankengun iceberg.