Now quite a few times in my life. I have had some Ladies say to me. That shooting is boring and not a sport for Women. So I then tell them about Little Miss Sure Shot. It almost never fails to impress the Woman Folks.
Especially when I tell about how shooting helped her support herself & her family. Way back in the Dark Ages / Late Victorian for Women.
Here is some more information about this amazing Marksman!
Oakley in the 1880s.
|Born||Phoebe Ann Mosey
August 13, 1860
Near Willowdell, Ohio, United States
|Died||November 3, 1926 (aged 66)
Greenville, Ohio, United States
|Cause of death||Pernicious anemia|
|Spouse(s)||Frank E. Butler (m. 1876; d. 1926)|
|Parent(s)||Susan Wise Mosey (1830–1908), Jacob Mosey (1799–1866)|
Annie Oakley (born Phoebe Ann Mosey; August 13, 1860 – November 3, 1926) was an American sharpshooter and exhibition shooter. Her “amazing talent” first came to light when she was 15 years old, when she won a shooting match with traveling-show marksman Frank E. Butler, whom she eventually married. The couple joined Buffalo Bill’s Wild West show a few years later. Oakley became a renowned international star, performing before royalty and heads of state.
Oakley also was variously known as “Miss Annie Oakley”, “Little Sure Shot”, “Little Miss Sure Shot”, “Watanya Cicilla”, “Phoebe Anne Oakley”, “Mrs. Annie Oakley”, “Mrs. Annie Butler”, and “Mrs. Frank Butler”. Her death certificate gives her name as “Annie Oakley Butler”
Annie Oakley was born Phoebe Ann (Annie) Mosey on August 13, 1860, in a cabin less than two miles (3.2 km) northwest of Woodland, now Willowdell, in Darke County, Ohio, a rural western border county of Ohio. Her birthplace log cabin site is about five miles east of North Star. There is a stone-mounted plaque in the vicinity of the cabin site, which was placed by the Annie Oakley Committee in 1981, 121 years after her birth.
Annie’s parents were Quakers of English descent from Hollidaysburg, Blair County, Pennsylvania: Susan Wise, age 18, and Jacob Mosey, born 1799, age 49, married in 1848. They moved to a rented farm (later purchased with a mortgage) in Patterson Township, Darke County, Ohio, sometime around 1855.
Born in 1860, Annie was the sixth of Jacob and Susan’s nine children, and the fifth out of the seven surviving. Her siblings were Mary Jane (1851–1867), Lydia (1852–1882), Elizabeth (1855–1881), Sarah Ellen (1857–1939), Catherine (1859–1859), John (1861–1949), Hulda (1864–1934) and a stillborn infant brother in 1865. Annie’s father, who had fought in the War of 1812, became an invalid from overexposure during a blizzard in late 1865 and died of pneumonia in early 1866 at age 66. Her mother later married Daniel Brumbaugh, had one more child, Emily (1868–1937), and was widowed for a second time.
Because of poverty following the death of her father, Annie did not regularly attend school as a child, although she did attend later in childhood and in adulthood. On March 15, 1870, at age nine, Annie was admitted to the Darke County Infirmary, along with elder sister Sarah Ellen. According to her autobiography, she was put in the care of the infirmary’s superintendent, Samuel Crawford Edington, and his wife Nancy, who taught her to sew and decorate. Beginning in the spring of 1870, she was “bound out” to a local family to help care for their infant son, on the false promise of fifty cents a week and an education. The couple had originally wanted someone who could pump water, cook, and who was bigger. She spent about two years in near-slavery to them where she endured mental and physical abuse. One time, the wife put Annie out in the freezing cold, without shoes, as a punishment because she had fallen asleep over some darning.Annie referred to them as “the wolves”. Even in her autobiography, she never revealed the couple’s real name.
According to biographer Glenda Riley, “the wolves” could have been the Studabaker family. However, the 1870 U.S. Census suggests that “the wolves” were the Abram Boose family of neighboring Preble County. Around the spring of 1872, Annie ran away from “the wolves”. According to biographer Shirl Kasper, it was only at this point that Annie had met and lived with the Edingtons, returning to her mother’s home around the age of 15. Annie’s mother married a third time, to Joseph Shaw, on October 25, 1874.
Annie began trapping before the age of seven, and shooting and hunting by age eight, to support her siblings and her widowed mother. She sold the hunted game to locals in Greenville, such as shopkeepers Charles and G. Anthony Katzenberger, who shipped it to hotels in Cincinnati and other cities. She also sold the game herself to restaurants and hotels in northern Ohio. Her skill eventually paid off the mortgage on her mother’s farm when Annie was 15.
Debut and marriage
Traveling show marksman and former dog trainer Frank E. Butler (1847–1926), an Irish immigrant, placed a $100 bet per side (worth $2,181 today) with Cincinnati hotel owner Jack Frost that Butler could beat any local fancy shooter. The hotelier arranged a shooting match between Butler and the 15-year-old Annie, saying, “The last opponent Butler expected was a five-foot-tall 15-year-old girl named Annie.” After missing on his 25th shot, Butler lost the match and the bet. Another account mentions that Butler hit on his last shot, but the bird fell dead about two feet beyond the boundary line. He soon began courting Annie, and they married. They did not have children.
According to a modern-day account in The Cincinnati Enquirer, it is possible that the shooting match may have taken place in 1881 and not 1875. However, it appears the time of the event was never recorded. Biographer Shirl Kasper states the shooting match took place in the spring of 1881 near Greenville, possibly in North Star as mentioned by Butler during interviews in 1903 and 1924. Other sources seem to coincide with the North Fairmount location near Cincinnati if the event occurred in 1881. The Annie Oakley Center Foundation mentions Oakley visiting her married sister, Lydia Stein, at her home near Cincinnati in 1875. That information is incorrect as Lydia didn’t marry Joseph C. Stein until March 19, 1877. Although speculation, it is most likely that Oakley and her mother visited Lydia in 1881 as she was seriously ill from tuberculosis. The Bevis House hotel was still being operated by Martin Bevis and W. H. Ridenour in 1875. It first opened around 1860 after the building was previously used as a pork packaging facility. Jack Frost didn’t obtain management of the hotel until 1879. The Baughman & Butler shooting act first appeared on the pages of The Cincinnati Enquirer in 1880. They signed with Sells Brothers Circus in 1881 and made an appearance at the Coliseum Opera House later that year.
Regardless of the actual date of the shooting match, Oakley and Butler were married a year afterward. A certificate is currently on file with the Archives of Ontario, Registration Number 49594, reporting Butler and Oakley being wed on June 20, 1882, in Windsor, Ontario. Many sources say that the marriage took place on August 23, 1876, in Cincinnati, yet there is no recorded certificate to validate that date. A possible reason for the contradicting dates may be that Butler’s divorce from his first wife, Henrietta Saunders, was not yet final in 1876. An 1880 U.S. Federal Census record shows Saunders as married. Sources mentioning Butler’s first wife as Elizabeth are inaccurate; Elizabeth was actually his granddaughter, her father being Edward F. Butler. Throughout Oakley’s show-business career, the public was often led to believe that she was five to six years younger than her actual age. Claiming the later marriage date would have better supported her fictional age.
Career and touring
Annie and Frank Butler lived in Cincinnati for a time. Oakley, the stage name she adopted when she and Frank began performing together, is believed to have been taken from the city’s neighborhood of Oakley, where they resided. Some people believe she took on the name because that was the name of the man who had paid her train fare when she was a child.
They joined Buffalo Bill’s Wild West in 1885. At five feet tall, Oakley was given the nickname of “Watanya Cicilla” by fellow performer Sitting Bull, rendered “Little Sure Shot” in the public advertisements.
During her first engagement with the Buffalo Bill show, Oakley experienced a tense professional rivalry with rifle sharpshooter Lillian Smith. Smith was eleven years younger than Oakley, age 15 at the time she joined the show in 1886, which may have been a primary reason for Oakley to alter her actual age in later years due to Smith’s press coverage becoming as favorable as hers. Oakley temporarily left the Buffalo Bill show but returned two years later, after Smith departed, in time for the Paris Exposition of 1889. This three-year tour only cemented Oakley as America’s first female star. She earned more than any other performer in the show, except for “Buffalo Bill” Cody himself. She also performed in many shows on the side for extra income.
In Europe, she performed for Queen Victoria of the United Kingdom, King Umberto I of Italy, President Marie François Sadi Carnot of France and other crowned heads of state. Oakley supposedly shot the ashes off a cigarette held by the newly crowned German Kaiser Wilhelm II at his request.
Oakley promoted the service of women in combat operations for the United States armed forces. She wrote a letter to President William McKinley on April 5, 1898, “offering the government the services of a company of 50 ‘lady sharpshooters’ who would provide their own arms and ammunition should the U.S. go to war with Spain.”
The Spanish–American War did occur, but Oakley’s offer was not accepted. Theodore Roosevelt, did, however, name his volunteer cavalry the “Rough Riders” after the “Buffalo Bill’s Wild West and Congress of Rough Riders of the World” where Oakley was a major star.
The same year that McKinley was fatally shot by an assassin, 1901, Oakley was also badly injured in a train accident, but she recovered after temporary paralysis and five spinal operations. She left the Buffalo Bill show and in 1902 began a quieter acting career in a stage play written especially for her, The Western Girl. Oakley played the role of Nancy Berry and used a pistol, a rifle and rope to outsmart a group of outlaws.
Following her injury and change of career, it only added to her legend that her shooting expertise continued to increase into her 60s.
Throughout her career, it is believed that Oakley taught upwards of 15,000 women how to use a gun. Oakley believed strongly that it was crucial for women to learn how to use a gun, as not only a form of physical and mental exercise, but also to defend themselves. She said: “I would like to see every woman know how to handle guns as naturally as they know how to handle babies.”
Biographers, such as Shirl Kasper, repeat Oakley’s own story about her very first shot at the age of eight. “I saw a squirrel run down over the grass in front of the house, through the orchard and stop on a fence to get a hickory nut.” Taking a rifle from the house, she fired at the squirrel, writing later that, “It was a wonderful shot, going right through the head from side to side”.
The Encyclopædia Britannica notes that:
Oakley never failed to delight her audiences, and her feats of marksmanship were truly incredible. At 30 paces she could split a playing card held edge-on, she hit dimes tossed into the air, she shot cigarettes from her husband’s lips, and, a playing card being thrown into the air, she riddled it before it touched the ground.
R. A. Koestler-Grack reports that, on March 19, 1884, she was being watched by Chief Sitting Bull when:
Oakley playfully skipped on stage, lifted her rifle, and aimed the barrel at a burning candle. In one shot, she snuffed out the flame with a whizzing bullet. Sitting Bull watched her knock corks off of bottles and slice through a cigar Butler held in his teeth.
In 1904, sensational cocaine prohibition stories were selling well. Newspaper magnate William Randolph Hearst published a false story that Oakley had been arrested for stealing to support a cocaine habit. The woman actually arrested was a burlesque performer who told Chicago police that her name was Annie Oakley.
Most of the newspapers that printed the story had relied on the Hearst article, and they immediately retracted it with apologies upon learning of the libelous error. Hearst, however, tried to avoid paying the anticipated court judgments of $20,000 ($533,111 in today’s dollars) by sending an investigator to Darke County, Ohio with the intent of collecting reputation-smearing gossip from Oakley’s past. The investigator found nothing.
Annie Oakley spent much of the next six years winning 54 of 55 libel lawsuits against newspapers. She collected less in judgments than the total of her legal expenses, but she felt that a restored reputation justified the loss of time and money.
Later years and death
In 1912, the Butlers built a brick ranch-style house in Cambridge, Maryland. It is now known as the Annie Oakley House and was listed on the National Register of Historic Places in 1996. In 1917, they moved to North Carolina and returned to public life.
She continued to set records into her sixties, and she also engaged in extensive philanthropy for women’s rights and other causes, including the support of young women whom she knew. She embarked on a comeback and intended to star in a feature-length silent movie. She hit 100 clay targets in a row from 16 yards (15 m) at age 62 in a 1922 shooting contest in Pinehurst, North Carolina.
In late 1922, the couple were in a car accident that forced her to wear a steel brace on her right leg. She eventually performed again after more than a year of recovery, and she set records in 1924.
Her health declined in 1925 and she died of pernicious anemia in Greenville, Ohioat the age of 66 on November 3, 1926. Her body was cremated in Cincinnati two days later and the ashes buried at Brock Cemetery near Greenville, Ohio. Assuming that their marriage took place in 1876, Oakley and Butler had been married just over 50 years.
Butler was so grieved by her death, according to B. Haugen, that he stopped eating and died 18 days later in Michigan, and his body was buried next to Oakley’s ashes.. Biographer Shirl Kasper reports that the death certificate said that Butler died of “senility”. One rumor claims that Oakley’s ashes were placed in one of her prized trophies and were laid next to Butler’s body in his coffin prior to burial. Both body and ashes were interred in the cemetery on Thanksgiving day, November 25, 1926.
A vast collection of Annie Oakley’s personal possessions, performance memorabilia, and firearms are on permanent exhibit in the Garst Museum and the National Annie Oakley Center in Greenville, Ohio. She has been inducted into the Trapshooting Hall of Fame, the National Cowgirl Museum and Hall of Fame in Fort Worth, Texas, the National Women’s Hall of Fame, the Ohio Women’s Hall of Fame, and the New Jersey Hall of Fame.
The Little Sure Shot of the Wild West
Buffalo Bill was friends with Thomas Edison, and Edison built the world’s largest electrical power plant at the time for the Wild West Show. Buffalo Bill and 15 of his show Indians appeared in two Kinetoscopes filmed September 24, 1894.
In 1894, Oakley and Butler performed in Edison’s Kinetoscope film The “Little Sure Shot of the Wild West,” an exhibition of rifle shooting at glass balls, etc.which was filmed November 1, 1894 in Edison’s Black Maria studio by William Heise. It was the eleventh film made after commercial showings began on April 14, 1894.
There are a number of variations given for Oakley’s family name, Mosey. Many biographers and other references give the name as “Moses”. Although the 1860 U.S. Census shows the family name as “Mauzy”, this is considered an error introduced by the census taker. Oakley’s name appears as “Ann Mosey” in the 1870 U.S. Census and “Mosey” is engraved on her father’s headstone and appears in his military record; “Mosey” is the official spelling by the Annie Oakley Foundation, maintained by her living relatives. The spelling “Mosie” has also appeared.
According to biographer Shirl Kasper, Oakley herself insisted that her family surname be spelled “Mozee”, leading to arguments with her brother, John. Kasper speculates that Oakley may have considered “Mozee” to be a more phonetic spelling. There is also popular speculation that young Oakley had been teased about her name by other children.
During her lifetime, the theatre business began referring to complimentary tickets as “Annie Oakleys”. Such tickets traditionally have holes punched into them (to prevent them from being resold), reminiscent of the playing cards Oakley shot through during her sharpshooting act.
Representations on stage, literature and screen
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- In 1935, Barbara Stanwyck played Oakley in a fictionalized film called Annie Oakley.
- The 1946 Irving Berlin Broadway musical Annie Get Your Gun is loosely based on her life. The original stage production starred Ethel Merman, who also starred in the 1966 revival.
- From 1954 to 1956, Gail Davis played Oakley in the Annie Oakley television series.
- In 1983, New American Library published The Secret Annie Oakley, by Marcy Heidish, which established that her husband Frank Butler was not an envious competitor, as portrayed in the Broadway musical, but was her greatest support from the day they met.
- In 1985, Jamie Lee Curtis portayed Oakley in Tall Tales & Legends.
- In 1996, Reba McEntire portrayed Oakley in Buffalo Girls alongside Anjelica Huston, Melanie Griffith and Tom Wopat.
- In 2004, Elizabeth Berridge played Oakley in the Touchstone Pictures film Hidalgo.
Oakley’s worldwide stardom as a sharpshooter enabled her to earn more money than most of the other performers in the Buffalo Bill show. She did not forget her roots after gaining financial and economic power. She and Butler together often donated to charitable organizations for orphans. Beyond her monetary influence, she proved to be a great influence on women.
Oakley urged that women serve in war, though President McKinley rejected her offer of woman sharpshooters for service in the Spanish–American War. Beyond this offer to the president, Oakley believed that women should learn to use a gun for the empowering image that it gave. Laura Browder discusses how Oakley’s stardom gave hope to women and youth in Her Best Shot: Women and Guns In America. Oakley pressed for women to be independent and educated.She was a key influence in the creation of the image of the American cowgirl. Through this image, she provided substantial evidence that women are as capable as men when offered the opportunity to prove themselves.